|
|
|
Peter Paul Rubens Therese von Avila Deutsch: um 1615
Medium Oil on panel
Deutsch: Öl auf Eichenholz
Dimensions Deutsch: 67 x 69 cm
cyf
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Portrait of Albert VII Oil on canvas
Dimensions 200 x 118 cm (78.7 x 46.5 in)
cyf
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Aletheia Talbot, Countess of Arundel Date 1620(1620)
Medium oil
cjr
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Equestrian Portrait of the George Villiers oil on panel painting by Peter Paul Rubens, 1625, Kimbell Art Museum
Date 1625(1625)
cyf
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Girl with fan 1612/1614
Medium Deutsch: Leinwand
Dimensions Deutsch: 96 x 73 cm Rahmenmaße: 124 x 101 x 12 cm
cyf
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Persee delivrant Andromede Date 1620
cyf
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Adoration of the Shepherds Date 1608(1608)
Medium Oil on canvas
Dimensions 64 x 47 cm (25.2 x 18.5 in)
cjr
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens The Prodigal Son Date ca. 1618(1618)
Medium Oil on wood
Dimensions 107 x 155 cm (42.1 x 61 in)
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens L enlevement de Proserpine Date ca. 1636(1636)
Medium Oil on wood
Dimensions 26 x 37 cm (10.2 x 14.6 in)
cjr
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Pallas and Arachne Date 1636(1636) or 1637(1637)
Medium Oil on panel
Dimensions 26.67 x 38.1 cm (10.5 x 15 in)
cjr
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens La Chasse au tigre Oil on canvas
cjr
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens La Chasse au tigre Oil on canvas
cjr
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Joanna of Austria Oil on canvas
Dimensions 247 x 116 cm (97.2 x 45.7 in)
cyf
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Madonna on Floral Wreath Date English: c. 1619
Medium Oil on panel
Dimensions 185 x 210 cm
cyf
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens David Slaying Goliath Date ca. 1616(1616)
Medium Oil on canvas
Dimensions 122.9 x 99.1 cm (48.4 x 39 in)
cjr
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Apollo and Daphne Date ca. 1636(1636)
Medium Oil on wood
Dimensions 28.5 x 27.5 cm (11.2 x 10.8 in)
cjr
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Faun and a young woman from 1620(1620) until 1625(1625)
Medium Oil on canvas
Dimensions 102 x 85 cm (40.2 x 33.5 in)
cyf
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Pan et Syrinx Date ca. 1636(1636)
Medium Oil on wood
Dimensions 27.8 x 27.8 cm (10.9 x 10.9 in)
cjr
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Stormy Landscape Date ca. 1625(1625)
Medium Oil on wood
Dimensions Height: 147 cm (57.9 in). Width: 209 cm (82.3 in).
cjr
|
|
|
|
|
|
|
|
|
|
Peter Paul Rubens Virgin and Child Date between 1620(1620) and 1624(1624)
Medium Oil on wood
Dimensions Height: 65 cm (25.6 in). Width: 48 cm (18.9 in).
cjr
|
|
|
|
|
|
|
|
| |
|
|
Peter Paul Rubens
|
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
|